导演：
让-马里·斯特劳布
主演：
Giorgio Passerone
状态：
已完结
剧情：
转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avan...展开t-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich收起
6.0 HD中字
1905年4月，一群时髦的巴黎妇女来到屠场，喝牛血作为治疗贫血的方法，并成功地取得了成果。附近有一个名叫马克的小偷，他正计划带着一袋金币前往伦敦，但必须避开他的追随者。他发现在一座山中隔离着一
7.0 更新至高清
20世纪20年代，非洲国家阿尔及利亚。在某个犹太人小镇上，生活着受人尊重的长老史法及其美丽善良且刚刚进入青春期的女儿扎拉比娅。长老一方面遗憾曾经可爱的女儿天真不再，一方面担心扎拉比娅受到各种不符教
更新至高清
故事始于树林深处的一间木屋，一个活泼好动的男孩和他的父亲（由尚‧ 雷诺声音演出）完全与世隔绝，过着原始、艰苦的生活。孩子在又敬又畏的父亲身边长大，陪伴他的只有森林里的花草鸟兽，以及那些徘徊不去的幽
7.4 已完结
Raf et Julie forment un couple au bord de la rupture, qui se retrouve dans un service d'Urgences
6.5 已完结
一望无际的荒漠旷野之上，盘桓着十多名不同身份不同年龄的普通人，他们手里各自拿着一个望远镜，透过镜片兀自眺望着远方。其中一人发现了一处垃圾场，所有的人也都向那里望去。视野中，一只蒙满沙尘的轮胎动了起
6.8 HD中字版
2007柏林电影节评审团奖。讲述一个变换身份的神秘人的故事。像往常一样，某天去另一个国家出差，却变成了另一段旅程的开始：当他到达他的目的地时，Juan Desouza发现他身边一位男子已经死亡
8.1 HD中字
年轻的画家雅克从乡间搭车前往巴黎。在到达巴黎的那个夜晚，他偶遇了正想投河自杀的玛尔特。雅克救下了她，并陪她回家，他们相约转天晚上再见面。第二个夜晚，雅克和玛尔特交换了彼此的人生故事，在玛尔特的请求
8.1 HD
美艳性感的脱衣舞娘安吉拉（安娜·卡里娜 Anna Karina 饰）与男友埃米尔（让-克劳德·布里亚利 Jean-Claude Brialy 饰）同居很久。安吉拉非常想要一个孩子与埃米尔长相厮守，
5.9 HD
Apollon is a teenager hung up by the social ideals of masculinity. He fantasizes about having the
7.6 HD
《我是你的眼》改编自法国畅销小说《点字之心》，备受瞩目的法国古典音乐美少女亚莉克·丝薇洛特跨界领衔，以自身经验完美诠释主人翁的精湛琴艺，以及备受瞩目的法国超萌新星尚史丹杜巴克（Jean-Stan
6.6 HD中字
弗兰克·马格纳是一位年轻的警察，他的被分在了巴黎第36分局。他接手的第一个案件是关于一个年轻女孩的谋杀案，他的工作就是把案件的所有线索连接起来，但是人手不足以及官僚主义作风等原因让这个案件毫无进展
6.9 DVD
爱丽丝（Sarah Pratt 饰）年近三十，经历过生活的各种风风雨雨，尽管人到中年，爱丽丝却显得格外丰腴迷人。某日，爱丽丝在游轮上遇见了名为托马斯（吉莱斯·吉莱恩 Gilles Guillain